Rules

  1. Avoid Alliteration. Always.
  2. Prepositions are not words to end sentences with.
  3. Avoid cliches like the plague. (They’re old hat.)
  4. Employ the vernacular.
  5. Eschew ampersands & abbreviations, etc.
  6. Parenthetical remarks (however relevant) are unnecessary.
  7. It is wrong to ever split an infinitive.
  8. Contractions aren’t necessary.
  9. Foreign words and phrases are not apropos.
  10. One should never generalize.
  11. Eliminate quotations. As Ralph Waldo Emerson once said, “I hate quotations. Tell me what you know.”
  1. Comparisons are as bad as cliches.
  2. Don’t be redundant; don’t use more words than necessary; it’s highly superfluous.
  3. Profanity sucks.
  4. Be more or less specific.
  5. Understatement is always best.
  6. Exaggeration is a billion times worse than understatement.
  7. One word sentences? Eliminate.
  8. Analogies in writing are like feathers on a snake.
  9. The passive voice is to be avoided.
  10. Go around the barn at high noon to avoid colloquialisms.
  11. Even if a mixed metaphor sings, it should be derailed.
  12. Who needs rhetorical questions?
  1. Parenthetical words however must be enclosed in commas.
  2. It behooves you to avoid archaic expressions.
  3. Avoid archaeic spellings too.
  4. Don’t repeat yourself, or say again what you have said before.
  5. Don’t use commas, that, are not, necessary.
  6. Do not use hyperbole; not one in a million can do it effectively.
  7. Never use a big word when a diminutive alternative would suffice.
  8. Subject and verb always has to agree.
  9. Placing a comma between subject and predicate, is not correct.
  10. Use youre spell chekker to avoid mispeling and to catch typograhpical errers.
  11. Don’t repeat yourself, or say again what you have said before.
  12. Use the apostrophe in it’s proper place and omit it when its not needed.
  13. Don’t never use no double negatives.
  14. Poofread carefully to see if you any words out.
  15. Hopefully, you will use words correctly, irregardless of how others use them.
  1. Eschew obfuscation.
  2. No sentence fragments.
  3. Don’t indulge in sesquipedalian lexicological constructions.
  4. A writer must not shift your point of view.
  5. Don’t overuse exclamation marks!!
  6. Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents.
  7. Writing carefully, dangling participles must be avoided.
  8. If any word is improper at the end of a sentence, a linking verb is.
  9. Avoid trendy locutions that sound flaky.
  10. Everyone should be careful to use a singular pronoun with singular nouns in their writing.
  11. Always pick on the correct idiom.
  12. The adverb always follows the verb.
  13. Take the bull by the hand and avoid mixing metaphors.
  14. If you reread your work, you can find on rereading a great deal of repetition can be by rereading and editing.
  15. And always be sure to finish what

(Source: plainlanguage.gov)

Subcultures

Beatnik — This is a stereotype of dark clothing, striped shirts, and berets based in the beat generation of the 1950s and 1960s. It’s a bit inaccurate to the actual culture it’s supposed to represent, but it has since influenced many other subcultures, from hipsters to goths.

Cybergoth — This is a subculture based in rave and club electronic music and cyberpunk and cyberdelic technological influences with a darker aesthetic. PVC is a commonly seen material, as is fishnet. Dreadlocks and dreadfalls are common, as are goggles and gas masks. The color scheme most often seen is black with a neon accent, which is typically only one or two colors at a time.

Cyberpunk — These were adherents to the cyberdelic subculture of the late 1980s and early 1990s, who attempted to blend cyberpunk as a genre, modern technology, psychodelic aesthetics of the 1960s, and hallucinogenic drugs. Modern cyberpunk is a derivative of cybergoth, which is, in turn, a derivative of the cyberdelic culture. Modern cyberpunks reject the raver and goth influences of the cybergoth subculture.

Emo — In reality, emo is one of the music-based subcultures, originating in hardcore punk, pop punk, and indie rock. The musical genre is known as “emotive hardcore,” and there is a subgenre known as “screamo,” which also incorporates elements from metal music. There are also distinctive influences from mods and hipsters. Despite the common perception of a connection between the subculture and self-harm and suicide, the vast majority of adherents to the style are not any more depressed than those of any other subculture.

Ganguro — This is a Japanese subculture that features blonde or red hair, tanned skin, and white makeup on the lips and around the eyes, with black eyeliner inside a patch of white. The outfits are typically very bright in color and may include plastic elements. Multiple bracelets are often worn. Substyles called Yamanba and Manba exist. They featured even darker tans, leis, and face gems. Yamanba features white makeup only above the eye, while Manba features makeup below the eye as well. Face gems and leis have largely faded, but hairstyles have become more extreme over time, often with neon-colored synthetic extensions on top of the bleached blond hair. The male equivalent is known as a “Center Guy.” The style contradicts the mainstream Japanese beauty norm of pale skin and dark hair and is influenced by the depiction of ghosts and demons in the kabuki and noh theater traditions.

Goth — The term originated in the late Middle Ages and early Renaissance. Gothic Literature showed up in the Victorian era. Goth should not be confused with the Vampire subculture, nor should it be confused with mental illness or self-harm. As with the emo subculture, the vast majority of adherents to the style are not any more depressed than those of any other subculture. The music scene now commonly referred to as goth showed up in the 1980s. There are many subtypes of goth and many people who mix gothic aesthetics with those of at least one other subculture. The subculture is heavily influenced by the Renaissance and Victorian aesthetics and focuses on the darker, more morbid side of life.

Greaser — This was a subculture similar to rockabilly that emerged in the 1950s. These were typically youths who enjoyed pop music acts like Elvis, wore leather jackets, tight tee shirts, jeans, and boots or creepers, and greased their hair into a pompadour, Folsom style (made popular by Johnny Cash), or duck tail using pomade. This subculture is very much tied into the rockabilly subculture and classic hotrod cars.

Grunge — This style was dominant in the late 1980s and early 1990s and influenced industrial and punk music, among other modern rock styles. The aesthetic was unkempt with long hair, ripped and baggy pants, oversized tee shirts, and loose flannel button-up shirts.

Hardliner — This subculture derives from the environmentally friendly and human rights-oriented beliefs of hippies and the self-deprivation beliefs of the straight edge subculture. They do not use tobacco, alcohol, or drugs, including both recreational drugs and modern medicines. They are required to be vegans and shun cash crops, including sugar, coffee, and chocolate. They oppose contraception, abortion, pornography, and homosexuality, and they believe that sex is purely for procreation.

Hippie — Hippies emerged as the counterculture of the 1960s. They have influenced many other subcultures, and there are frequent revivals, especially in some localized areas where the subculture never really faded away. By and large, hippies have a belief in love and respect for people and the environment. Many are very accepting of other races and sexualities. Drug use, particularly the use of marijuana and LSD, is very much associated with the original movement, though some modern hippies do not participate in recreational drug use. The psychedelic aesthetic in art, acid rock, natural clothing, and long hair are common themes.

Hipster — This subculture specializes in bringing back trends of the past, including the beatniks of the 1950s, the hippies of the 1960s, and the indie rock music of the 1990s. Many shop in thrift stores, ride bicycles, and eat vegetarian or vegan food, traits inherited from DIY punk and the hippies. Many like independent music and film as well.

Kogal — This Japanese subculture featured school uniforms, often sexualized, as a fashion, with loose knee-high socks, scarves, blazers, sailor dresses, short skirts, hair dyed lighter than its natural color, black shoes, and platform boots. These are often actual schoolgirls wearing their skirts pinned shorter, but these are sometimes adults aged up into their late twenties or even early thirties dressed in a very young, sexualized manner. The term originated among bouncers to differentiate high school girls from adults, but they typically call themselves “gyaru,” which is the Japanese pronunciation of the English word “gal.” The style has faded since the mid-1990s but is often also associated with ganguro. A male kogal is a “ikemen.” Kogals have their own speech pattern which uses English words, literal translations of English phrase without using Japanese syntax, abbreviations of Japanese words, ane the suffixes “-ingu” and “-ra,” which means “like,” similar to the American Valley-Girl stereotype.

Lolita — Though named after Nabokov’s book, lolita as a subculture is focused on a youthful, elegant aesthetic, with many different subtypes, some mixing with other subcultures like steampunk, punk, and goth, and some unique to the lolita aesthetic, including sailor lolita and sweet lolita. There is a boystyle version and a male equivalent similar to the teddy boys. There is also another, more mature, related, Victorian-esque style called aristo, short for aristocrat, which is quickly becoming a fashion-based subculture of its own.

Metalhead — This subculture features a dark aesthetic, often including skulls, dragons, etc., spiked or studded clothing, and a shared taste in heavy metal music. As with other music-based subcultures, not all fans of the music are members of the subculture. Though most metalheads fall into a specific gender, sexuality, and socio-economic group and have a tough appearance, they are generally accepting of others joining their subculture, provided that the social codes are followed.

Mod — This subculture was based around jazz music and tailor-made suits. It first appeared in the 1950s and experienced a revival in the 1970s and 1980s. It influenced many other, later subcultures.

Punk — This subculture originates in the loud, hardcore music of the 1970s, with the purpose of being distinctly anti-materialistic and anti-disco. Plaid patterns, ripped clothing, patches, and brightly colored hair have been elements of this subculture and the music genre upon which it was founded since the beginning. It has created a lot of offshoot genres of music, such as Ska, Oi!, and Pop-Punk. Early-on, there was a tendency to wear second-hand clothing with do-it-yourself patches, sometimes held on by safety pins. Early in the movement, clothing dye and jello were used to color hair, as brightly-colored hair dyes were not commercially available.

Raver — This aesthetic often features baggy pants, neon colors, and glowsticks. It is based in generally upbeat electronic dance music, parties, and, in many cases, recreational drug use, though awareness of drug abuse and overdoses within the subculture has resulted in advocacy groups dedicated to drug-free raving. The raver subculture takes inspiration from both the hippy and new wave subcultures.

Riot Grrrl — This is a movement within the punk subculture with ideals based in feminism and activism and music and aesthetic based in the do-it-yourself punk culture.

Rivethead — This aesthetic is based in militaristic and industrial styles, often including protective gear and bolts worn as accessories. It focuses around industrial music.

Rockabilly — This is a portmanteau of “rock and roll” and “hillbilly.” It is a subculture focused around a retro aesthetic, based in the fashion of the late 1940s-early 1960s and the music of artists like Johnny Cash and Elvis.

Skinhead — This subculture features a tough aesthetic, often with boots and blue jeans. Some skinheads shave their heads completely bald, others crop their hair short. Female skinheads often leave a fringe at the front of an otherwise shaven head. Although the word is often applied to racist and fascist groups, the actual, legal form of the subculture is not based in politics, sexuality, or race in any way.

Steampunk — Steampunk, as a subculture, bases itself in the genre of fiction. The aesthetic includes lots of brown, black, and copper hues, leather, wood, goggles, corsets, and cogwheels. Like the literary genre, it takes influence from the late Victorian era and the machines that could have been if steam power were developed further. Common themes include airships, steam-powered vehicles and robots, clockwork weapons and prosthesis, and analog computers.

Straight Edge — This subculture started as a reaction to gratuitous drug and alcohol use in the larger punk culture. Generally, straight edge punks do not use alcohol, tobacco, or recreational drugs. Some also refuse to eat meat, consume caffeine, take prescription drugs, or engage in promiscuous sex. There is a perception of straight edge youths as being violent, but, as with many other subcultures, only a small minority are.

Surfer — The surfer culture, in many ways, is inspired by hippies as well as the traditionally Polynesian sport of surfing and beach culture in general. It is typically geographically limited to waterfront areas with significant wave heights and is often associated with southern California and Hawaii.

Teddy Boy — This is a subculture from the UK from the 1950s which featured boys dressing in Edwardian-style suits. The female equivalent typically wore skirt suits or formal jackets with hobble skirts, though some wore the same suits as the boys. This has seen a recent revival.

Vampire — This is a subculture with vague ties to the gothic subculture, but it is, in fact, very much separate, though there may be some aesthetic connections between the vampire subculture and other subcultures. They identify themselves as Otherkin, non-humans living in human bodies. Some engage in sadomasochistic behavior. Most fall into two categories: sanguinarian and psychic. Sanguinarian vampires consume the blood of humans, while psychic vampires believe that they draw energy from a person’s aura. There are also hybrids between the two types. Due to the issue of disease related to the consumption of human blood, most sanguinarian vampires find willing blood donors. Many do not bite or use knives to draw blood and will not drink directly from a person’s skin, instead using syringes for sanitation purposes. The vampire subculture does not promote violence or associate itself with murderers who engage in the drinking the blood of their victims or cannibalistic activity.

(Source: lunaescence.com)

Japanese Terms

ENERAL TERMS

Biseinen — Beautiful young adult (male).

Bishoujo — Beautiful girl.

Bishounen — Handsome youth (male).

Ecchi — “Pervert” or “lewd” but in a milder sense than “hentai.”

Geisha — Literally translates as “artisan.” These are traditional entertainers, not prostitutes, which were a different class entirely.

Hentai — Pornographic anime. (Lit. “pervert.”)

Kabuki — Traditional dance-drama theater, characterized by very elaborate makeup. Very early kabuki was all-female, but modern kabuki, which developed in the mid-1600s, is all-male.

Loli-con — A sexual fascination with underage girls.

Mahou Shoujo — “Magical Girl,” a genre in which the female character gains magical powers.

Noh — One of the traditional theater styles. Traditionally, actors only rehears together once before the performance, and the performance lasts all day with five plays being performed. Noh features masks, typically only for one or two lead actors and those playing certain character types, such as elderly men, as opposed to the makeup tradition of kabuki. All Noh performers carry fans.

Sakura — Cherry blossoms.

Seme — The dominant partner in a pairing.

Sensei — A teacher or mentor.

Sentai — Literally, “squadron” or “fleet,” but for those of you writing non-naval stories, this is a term for the genre of anime based around fighting or the hero team.

Shonen — “Boys” or “juveniles,” refers to a genre of anime and manga intended for young boys.

Shonen-ai — “Boy love,” refers to two young men falling in love.

Shota-con — A sexual fascination with underage boys.

Shoujo - “Maiden” or “young girl,” refers to a genre of anime and manga intended for young girls.

Shoujo-ai - “Girl love,” refers to two girls falling in love.

Tsundere — Someone who is cold on the outside and warm on the inside.

Uke — The passive partner in a pairing.

Yandere — Someone who is seemingly normal but has a propensity to violently snap with a certain trigger or in a certain situation.

Yaoi — Acronym for “yama-nashi, ochi-nashi, “imi-nashi,” meaning “without climax, without a conclusion, and without content.” This refers to romantic stories dealing with male homosexual love and sex.

Yuri — Believed to drive from the name “Yuri,” this refers to romantic stories dealing with female homosexual love and sex.

WEAPONS

chijiriki — A spear with a weighted chain on one end.

Dachi — Stance in karate. Also a general word for “sword.”

Daikyu — A longbow.

Hankyuu — A small compound bow

Jutte — a pointed metal pole with a bent bar attached to it used to show law enforcement office as well as to strike large muscle groups or trap and break hands. Also spelled “jitte.”

Kama — A small sickle or scythe.

Katana — A longsword, also used as a general word for “sword.”

Kunai — Throwing knives.

Kusari-gama — A kama with a chain attached.

Kyudo — The Japanese archery style.

Manriki gusari — a chain with weights on either end.

Naginata — A single-edged, bladed staff similar to a halberd.

Neko-te — Iron claws or spikes, often dipped in poison, put on metal bands or crafted with ring holes to fit around the fingers and scratch the opponent.

Nekode — Clawed brass knuckles also used for scaling walls.

No-Dachi — A very large longsword.

Nunchucks — A short chain with two pieces of wood or metal.

O-No — An axe or battle axe.

Sai — A trident-shaped weapon used to trap weapons (sword or staff) and to trap and break fingers.

Shuriken — A small throwing knife, dagger, or throwing star.

Tachi — A mid-sized longsword.

Tanto — A dagger often carried along with a katana.

Tessen — Fighting fan.

Wakizashi — A short sword.

Yari — A spear.

Yumi — A bow.

HONORIFICS

-chan — You use this with members of your immediate family, girls you’re familiar with (female classmates and friends), and young children

-kun — You use this with boys you’re familiar (male classmates and friends) with and people who rank below you, for example, employees and children several grades below you in school. This is typically only used for men and boys, though it can, occasionally, be used for women and girls.

-sama — You use this in very, very formal situations only, for example, for a religious leader, noble, president, prime minister, etc. Regular people don’t really use this one very often.

-san — You use this with more or less every adult you’re not extremely familiar with, as it’s the equivalent of Mr./Mrs./Ms./Miss.

-sensei — You use this with teachers, doctors, and other well-regarded professionals.

(Source: lunaescence.com)

Types of Mary Sue

Mary Sue - A female character who is unbelievably perfect. Mary Sues often take the role of a hero and usually lack a believable ratio of good traits and flaws.

THE SUB-TYPES

Angry Sue — This type has a score to settle and something to prove, but she’s guaranteed to succeed and look good doing it.

Angst Sue — She has problems. Lots and lots of problems. She storms about and mopes and is adorable doing it.

Anti Sue — This is the opposite of a Mary Sue, so much so that she’s a Mary Sue herself.

Avenger Sue — This type has a tragic past that she must avenge.

Babies R’ Us Sue — This type marries a canon character and has a ton of babies, but she still has free time to party, despite having no obvious source of income, and keeps a perfect figure between pregnancies.

Baby Sue — This type is younger than most Mary Sues. She’s typically a pre-teen or very young teenager. This can also be an older Mary Sue that acts very, very immaturely.

Black Hole Sue — This is the type who makes everything about her and will do anything for attention.

Canon Sue — This is a Mary Sue that appears in the actual, official canon and is not a fan creation.

Clone Sue — This is a character whose attributes are entirely or almost entirely ripped from a canon character.

Combo Sue — This is a character who is a combination of two canon characters from the fandom.

Copycat Sue — This can be the same thing as a Clone Sue, or it can be a regular Mary Sue who copies a canon character. (Kind of like when the little sister puts on her big sister’s high heels and makeup and stomps around the house mimicking her.)

Depressed Sue — This is a Mary Sue with emotional issues, sometimes unfounded.

Einstein Sue — This is the smart Mary Sue.

Evil Sue — This is a Mary Sue who may or may not be a villain. She is sometimes an anti-hero aligned with the protagonists. The difference between her and a regular Mary Sue is that she’s not nice.

Fiery Sue — This is another type of Mary Sue who isn’t as sweet as pie. This one can be a feminist type or an Avenger Sue, an Angry Sue, or an Evil Sue. She’s got attitude and/or attitude problems.

Fixer Sue — She’s a deus ex machina that shows up and saves the day, no matter what.

Furry Sue — Take a regular Mary Sue, just add fur. These are often cat-girls or wolf-girls but can also sometimes be some other type of human-animal combination, such as a centaur.

Gary Stu - A male Mary Sue. Interchangeable with “Lary Stu” and “Marty Stu.”

Gimp Sue — She has some form of physical deformity or significant impairment, often blindness, but she’s pretty, and nobody wants to see a pretty girl cry, so everybody loves her.

God Mode Sue — This type is a strong, self-sufficient heroine who gets magical powers as needed and saves everybody.

Goth Sue — Take a regular Mary Sue, dress her all in black, dye her hair black, and paint her nails black.

Helpful Sue — She’s helpful…too helpful. She always wants to help because she’s perfect…too perfect.

Jerk Sue — She’s awful to everyone around her, but she’s pretty and talented, so everybody loves her.

Larry Stu - A male Mary Sue. Interchangeable with “Gary Stu” and “Marty Stu.”

Lemon Stu — This is a male variant that has a lot of sexual encounters.

Mage Sue — She has magical powers.

Marty Stu — A male Mary Sue. Interchangeable with “Gary Stu” and “Larry Stu.”

Misfit Sue — Take Mary Sue, just add instant angst and whatever clothes the author thinks are cool, and you get the Anti Sue type known as a Misfit Sue.

Nonconformist Sue — Very similar to a Misfit Sue, this is a type who does whatever she pleases, regardless of what others think, only they end up liking her anyway.

Parody Sue — This is a Mary Sue written entirely as a joke about Mary Sues. Surreal.

Possession Sue — This is typically the author’s favorite character with a personality and possibly cosmetic makeover, just to make them more perfect.

Princess Sue — She’s a magical fairy princess, and everybody has to do exactly what she wants because she’s a princess, but she needs a prince to inherit the kingdom because she was orphaned when a dragon killed her parents, and she’s perfect in absolutely every way and gorgeous too, and- and- and- Gag me.

Punk Sue — Add plaid, chains, fishnets, hair dye, and attitude, do not wash frequently, and you have the punk sue.

Purity Sue — She’s obsessed with being pure and noble and keeping her virginity.

Rapist Sue — She’s the opposite of the Purity Sue. She will have every character she wants exactly when she wants them, and if she has to tie them down and take it by force, she will with no qualms, but they’ll love her for it anyway because they secretly wanted her the whole time.

Relationship Sue — Exists purely for the purpose of being the perfect girlfriend of a canon character.

Self Sue — A self-insert Mary Sue.

Spokes Sue — A spokesperson who should be entertaining people but instead makes them want to gag because of the ultra-perfectness of his/her stage persona.

Sympathetic Sue — She wants your sympathy. She may or may not have a tragic backstory or a malady, but it’s more than likely she has one or the other or both. The thing is, if she cuts herself, she gets sympathy. If she cries, she gets sympathy. If she takes drugs, it’s OK because everybody understands it’s because of her tragic past. There are no more negative consequences for her. She’s excused from everything, and she looks good being pathetic because she’s pretty, and, again, nobody wants to see a pretty girl cry. (Also called Sympathy Sue.)

Teen Sue — This is typically a Mary Sue on the slightly younger side. Not as young as the Baby Sue but still younger and less mature than a regular Mary Sue, she falls somewhere in the middle. Teen Sues are often Purity Sues or Angst Sues.

Tsundere Sue — She’s shy and cold, but everybody really thinks she’s pretty, and she secretly likes them too.

Ugly Sue — This is an Anti Sue type. She’s overweight, has no fashion sense, and often little to no talent. (Sometimes there is an Ugly Sue whose talents make up for her lack of looks, but usually, she’s talentless.) Nobody likes her because she’s not one of the beautiful people. She wants sympathy and doesn’t get it because nobody cares if an ugly girl cries.

Victim Sue — She has a tragic past. She’s basically a Sympathetic or Gimp Sue. She always has to be the victim and therefore the center of attention.

Villain Sue — She’s an Evil Sue who is not an anti-hero. She’s most definitely aligned with the side of evil. Oh, and she’s often invincible.

Warrior Sue — This is a Mary Sue who can fight. She’s typically a heroine but could also be a villain. She’s pretty and perfect, and she doesn’t break a sweat, even when she’s been in combat for hours. So everybody loves her, naturally

(Source: lunaescence.com)

Fiction and Fanfiction Terms

Author’s Note — A note written by the author directly addressing the readers outside of the story, typically found at the beginning of a chapter. Sometimes abbreviated “A/N.”

Beta Reader — A beta tester for stories. Similar to an editor but with a less formal arrangement. Beta readers find grammar, spelling, and punctuation errors as well as plot holes, continuity errors, and out of canon points. They can also help with the general sense and feel of a story or bounce ideas around with you to determine what should or shouldn’t be in a story.

Canon - The established, official source material that the fandom is based on.

Chekhov’s Gun — Like a deus ex machina, but it was there all along. (If there’s a gun hanging over the fireplace, it will eventually be fired in the course of the plot.) These are more realistic than the deus ex machina because there’s a setup. This is a reference to the Russian author, not the Star Trek character.

CIS — Abbreviation of “Character Information Sheet.” These are used both in role-playing and in fiction and give basic information about a character. Generally, in text-based role-playing these are displayed so that the leader can ensure that the characters stay equal. A lot of authors frown upon posting character sheets in stories or showing them to other people, as they’re more of a consistency reference sheet in fiction.

Claim — When someone adopts a canon character in a role-play, they claim them. This is generally fine. However, to “claim a character” can also mean when a fan says that a character belongs to them, either because they want to be that character or have a relationship with that character. This is generally frowned upon because it causes friction with other fans. This can sometimes, though not always, indicate a fan that is actually psychotic actually does believe that they can have a sexual relationship with or control a fictional character.

Cliché — An over-used phrase, expression, theme, characterization, word, etc.

Coda — A short piece that offers a conclusion to a storyline, sometimes as an alternative ending or to resolve a cliff-hanger in the canon.

Collaboration — A story written by more than one author, sometimes with different authors for different chapters or different subplots and sometimes with different authors working directly together on the entire work. One author typically keeps the master copy. Sometimes shortened to “collab.”

Cosplay — To dress up as a character, often for a convention or photo shoot.

Critique — A comment that can be negative but is generally polite and offers constructive criticism of a piece.

CRS - Abbreviation of “Character Reference Sheet.” Basically, the same thing as CIS.

CYOA — Abbreviation for “Choose Your Own Adventure.” These are stories where a reader chooses one of two or more endings at the end of each chapter and is directed to a different place in the story. They typically have several endings and can be read more than once to different results based on what the reader chooses. This term cannot be used interchangeably with RI, but a story can be both CYOA and RI.

Deus ex Machina — This is a plot device that is used to move the story forward, solve a large problem, save everyone, etc. It refers to the machinery hidden above the stage in an ancientGreek theater, from which an actor playing one of the gods would dangle down and save the day. (Literally, “God from the Machine.”) This term is typically used when the agent of the solution isn’t previously mentioned and an unbelievable plot twist occurs as a result.

Drabble — A very short piece, typically 100 words. These are often collected in drabble books.

Epilogue — An ending section to a written or performed work.

Fanart — Visual media created by fans of a particular piece, not by the original creators.

Fandom - This can be used as a synonym for “canon,” but it’s also the collection of fanfiction stories written about that canon, the authors who write them, the fanlistings, etc.

Fanfiction — Stories written by fans of a particular piece, not by the original creators.

Fanon - A non-canon, widely accpted idea in fanfiction.

Fansite — A non-official website dedicated to a particular piece, made by one or more fans.

Ficlet — A short story, usually less than 1000 words.

Flame — An insulting comment. This is not a critique. This is just rude.

Footnote — Though largely replaced by parenthetical notation, a footnote is a brief explanation or reference credit placed at the bottom of the page and denoted in the text by an asterisk or superscript number.

Fourth Wall — If you picture a stage as a room, it has three walls shown. The fourth wall is the one that the audience can see through. A fourth wall violation occurs when a character directly addresses the audience in an aside or directly addresses that he/she is fictional.

Gary Stu - A male Mary Sue. Interchangeable with “Lary Stu” and “Marty Stu.”

In Character — A story in which the characters behave as they do in the canon, often shortened to “IC.”

Larry Stu - A male Mary Sue. Interchangeable with “Gary Stu” and “Marty Stu.”

Litmus Test — In chemistry, this is something that tells you the pH of a liquid. In writing, this is a general sheet of questions to tell if your character is a Mary Sue or not.

Marty Stu — A male Mary Sue. Interchangeable with “Gary Stu” and “Larry Stu.”

Mary Sue - A female character who is unbelievably perfect. Mary Sues often take the role of a hero and usually lack a believable ratio of good traits and flaws.

Name Smooshing — A portmanteau of two characters’ names or parts of two characters’ names to note a romantic pairing. (John + Emily = Jemily)

Novel — A multi-chapter story.

Novella — A short novel.

One Shot - A single-chapter fanfiction. Also spelled “oneshot.”

Original Character — A character created by a fan author, as opposed to a character that appeared in the canon work. These are sometimes main characters and sometimes characters filling necessary, minor roles like waitresses, pizza delivery boys, and cashiers. This is often shortened to “OC.” “OMC” and “OFC” stand for “Original Male Character” and “Original Female Character,” respectively. (Not to be confused with OOC.)

Original Fan Fiction — This is a type of fanfiction that borrows only the world (including settings, norms, magical properties, etc.) from a fandom but uses all original characters.

Original Fiction — Story for which the author came up with all of the characters and either built the world of the story or based it in the real world, not an existing fan canon.

Out of Character — In text-based role-playing, these are notes made by a player to other players as an aside to the in-character role-playing chat, such as that someone needs a bathroom break, has to make dinner, etc. In fanfiction, this refers to a character who behaves differently in the story than they do in the established canon. This is often abbreviated “OOC.” (Not to be confused with OC.)

Out of Continuation — This can also be abbreviated “OOC.” It refers to a story that fills in the gaps of an existing fandom.

Pairing — This refers to a particular couple and is usually writen “CharacterAxCharacterB” or “CharacterA/CharacterB”

Plagiarism — A piece that’s been created by Author A and copied by Plagiarist B, who claims it as his/her own. This can be a whole work, a work with the names changed, a specific plot (not a general plot, as there are only a certain number of plot archetypes), significant element, a research paper, or any specific or significant section of a work.

Point of View — This is the perspective in which a story is written. Third-person is most common in published fiction, followed by first person. Second person is seldom used outside of reader insert fanfiction. This is often abbreviated “PoV” or “POV.”

Prequel — A story that’s written after the original story line but takes place chronologically before it.

Prologue — An introduction to a written or performed work.

R&R — This stands for “Read and Review” or “Rate and Review.” These can also be abbreviated “R’n’R.” Rarely, “C&C,” which stands for “Critique and Comment” is also used. Many authors put this in an author’s note or summary, but many other authors and readers find this to be a rude behavior.

Reader-Insert — A story where the reader is a character, written in the second person with blanks for name, eye color, etc. This term cannot be used interchangeably with CYOA, but a story can be both CYOA and RI.

Rec — Also known as “Recpage” or “Reclist,” these are pages of links to fanfics that an author recommends to his/her readers.

Review — An opinion about a particular piece, typically left as a comment for public viewing. One who reviews is a “reviewer.” These may be positive or negative.

Round Robin — A story written by multiple authors in rounds. This is a type of collaboration in which Author A writes Chapter 1, Author B writes Chapter 2, etc.

RPG — Abbreviation of “Role Playing Game.” These can be text-based, multi-player videogames, single-player videogames, or a type of board game.

Script — A format of story with the format of a character’s name and dialogue with very little description other than general directions for movement and emotion.

Self-Insert — A story where the author is a character. The term is associated with, but not synonymous with, “Mary Sue,” as Mary Sue characters are sometimes idealized self-inserts, though a character can be a Mary Sue without being a self-insert or a self-insert without being a Mary Sue.

Sequel — A story written after the first story in a series that takes place chronologically after that story.

Ship — This is a short form of “relationship,” and references a specific pairing. The authors who write for a specific pairing are known as “shippers.”

Spoiler — This is when you give away part of the canon plot, whether in a discussion, summary, or fanfiction. It’s generally frowned-upon to give away the canon plot in a summary. Warnings should be used if the discussion or body of a fanfiction will give away spoilers for current or recently-released canons.

Summary — A paragraph explaining the basic plot of a piece.

Teaser — A small sentence given to lure readers or viewers into reading or watching something, not a full summary.

Vignette — A very short piece, such as a ficlet or drabble, usually describing a single event or scene. This can also be used within a larger story.

WIP — Stands for “Work in Progress,” a piece that is being posted in sections and is currently incomplete.

(Source: lunaescence.com)

Genres and Warnings

Action-Adventure — A genre that centers around a mission and an exotic location.

All Human — A story in which characters that are supernatural beings in the canon are portrayed as human.

Alternate Reality — A story where the canon world is preserved but major facts are changed, such as characters who are dead in canon being alive or characters who are alive in canon dying. Can be used interchangeably with “alternate universe.”

Alternate Timeline — A story that takes the characters from the fandom and puts them at another point in history, including time travel.

Alternate Universe — A story written in a different world, such as characters from a world in which magic exists being put in the real world or characters from a relatively normal world being given magical powers out of canon. Can be used interchangeably with “alternate reality.”

Angst — Stories about emotional pain.

Anthro — Short for “Anthropomorphic,” this genre typically involves animals given human characteristics, as seen in many children’s movies. Partial-human, partial-animal characters are also considered anthropomorphic, as are inanimate objects given life and abstract ideas made into people, such as the grim reaper or a talking clock.

BDSM — This is short for “Bondage and Sadomasochism” or “Bondage, Dominance, Sadism, Masochism.” It’s a type of fetish involving restraint and pain.

Bondage — A sexual fetish involving restraints.

Comedy — A genre focusing on humorous dialogue, events, and situations. Comedies generally have happy endings.

Crackfic — A story with a very illogical, nonsensical, or random plot, often humorous. The name comes from the drug crack cocaine. Also written as “Crack!fic” or simply “crack.”

Crime — A story that depicts crime from the perspective of the criminal, opposite of the detective story.

Crossover — This is when characters from two or more canons interact.

Cyberpunk — A type of Science Fiction involving cyborgs, robots, and computers.

CYOA — Abbreviation for “Choose Your Own Adventure.” These are stories where a reader chooses one of two or more endings at the end of each chapter and is directed to a different place in the story. They typically have several endings and can be read more than once to different results based on what the reader chooses. This term cannot be used interchangeably with RI, but a story can be both CYOA and RI.

Dark Fantasy — A genre between Fantasy and Horror that typically deals with dark themes and supernatural things.

Deathfic — A story where a major character, sometimes a canon character and sometimes a major original character, dies.

Detective — A story about a crime shown from the perspective of the detective, whether a police detective or a private investigator.

Divergence — A story that starts in but then turns away from the canon plot. This is also used for stories that are meant to be side-stories to the canon or to a larger series.

Drabble — A very short piece, typically 100 words. These are often collected in drabble books.

Drama — A type of story that focuses on emotional or tense situations, generally isn’t humorous, and generally has a mixed or sad ending.

Dub-con — Short for “dubiously consensual,” dub-con stories do not include oughtright rape but the issue of consent is left ambiguous.

Erotica — Deals with sexual love, may or may not be extremely explicit.

F/F — Indicates a female/female (homosexual) pairing.

Fable — A short tail told to children to teach a moral lesson, often with anthropomorphic characters. Also, a story about an extraordinary hero.

Fairy Tail — A story, usually short and written for children, about magical creatures.

Family — A story focusing on family relationships, often appropriate for younger readers.

Fantasy — A genre in which uses invented worlds, mythological or magical creatures, and often magic.

Femslash — Slash with a female/female pairing, also spelled “femmeslash.”

Ficlet — A short story, usually less than 1000 words.

Fix Fic — This is a genre where the fan author brings characters back to life or otherwise undoes events that happened in the canon that he or she doesn’t like. This can also be an elaborate explanation of the latest installment in order to make everything better.

Fluff — Also known as “schmoop” and “WAFF” (“warm and fuffy feeling” or “warm and fuzzy feeling”), these are stories and chapters written to give readers a heartwarming feeling.

Friendship — A story about friends and friendship.

Furry — An often derogatory term for art and fiction based on anthropomorphic animal characters and the fans of the genre. This is also a subculture where people identify themselves with a particular animal.

Gay Romance — A romance story focusing on a homosexual pairing.

General — A story without a romantic focus set in the real world.

Gore — Blood, entrails, etc., typically seen in a violent or surgical situation,

Gothic — A literary style related to horror and romance that focuses on morbid situations, supernatural beings, and the darkness of human nature.

Hermaphrodite — A character who is both male and female at the same time.

Het — A story with a heterosexual romantic pairing.

Historical Fantasy — A story set in real historical times with fantasy elements such as magic and dragons.

Historical Fiction — A fictional story based around a real historical event or people or simply set at some point in history.

Horror — A genre meant to scare people.

Humor — A story focusing on comedic situations and dialogue.

Hurt/Comfort — A type of story where the focus of the plot is on a character or set of characters in pain, often emotional, sometimes physical, and the other characters try to comfort him/her/them.

Incest — A romantic and/or sexual relationship between close family members.

Lemon - An explicitly sexual story.

Lime — A story with sexual themes that aren’t necessarily explicit.

M/F — Indicates a male/female (heterosexual) pairing.

M/M — Indicates a male/male (homosexual) pairing.

Magical Girl - A genre in which the female character gains magical powers.

Martial Arts — A story focusing on fighting in one or more of the martial arts schools.

Mecha — A type of Science Fiction involving gigantic robots and weapons.

Mpreg — Short for “Male Pregnancy,” this is a genre where

MST — A form of story mocking another story with comedy written in between lines of the work that is being mocked, done in the style of the show Mystery Science Theater 3000. Many fans consider these rude, so it’s generally a good idea to refrain from writing these without an author’s consent. Often called “MST3K” or “MST3000.”

Mystery — A story about a crime or other event in which the ending is ambiguous until the climax.

Mysticism — A story focused on the occult, prophesy, etc.

Mythology — A story about supernatural creatures and pantheons of gods.

NG — Short for “Next Generation.” These are stories based in the world of a fandom, usually about the children of the original cast. It can also refer to a story in the fandom that uses completely new characters. (Not to be confused with Star Trek: The Next Generation.)

Ninja — A story based in the tradition and fighting style of ninjas.

Non-Con — Short for “non-consensual,” non-con stories depict rape or sexual assault.

Occult — A story focusing on magic, ghosts, etc.

One Shot - A single-chapter fanfiction. Also spelled “oneshot.”

One True Pairing — This is a term used by authors who believe two specific characters belong in a relationship and is used to find other authors and readers with the same taste, though people can have more than one “one true pairing” involving a specific character, as well as many sets of pairings within the same fandom or from different fandoms that they consider to be a “one true pairing.” This is often abbreviated as “OTP.”

One True Threesome — This is basically the same thing as OTP, but it involves three characters instead of two. One True Foursome, One True Fivesome, etc. exist as well, but they are typically parodies. “One True Threesome” is often abbreviated as “OTT” or “OT3.”

Original Fan Fiction — This is a type of fanfiction that borrows only the world (including settings, norms, magical properties, etc.) from a fandom but uses all original characters.

Original Fiction — Story for which the author came up with all of the characters and either built the world of the story or based it in the real world, not an existing fan canon.

Paranormal — A story involving supernatural creatures.

Paranormal Romance — A romantic story where at least one partner is a supernatural creature of some sort.

Police — A story about law enforcement officials.

Post-Apocalyptic — A type of Science Fiction and/or Horror where the plot occurs after some sort of disaster that ends normal society, such as a zombie attack, pandemic, nuclear holocaust, etc.

Psychological — A story focusing on thoughts and interior monologues.

PWP — This stands for “Porn Without Plot,” “Poorly Written Porn,” or “Plot? What Plot?” It is basicaly a story with very little plot that exists mostly to host a large number of pornographic scenes.

Pyro — A character who is a fire element, has fire-based powers, or is a pyromaniac, which is someone who likes to burn things.

Reader-Insert — A story where the reader is a character, written in the second person with blanks for name, eye color, etc. This term cannot be used interchangeably with CYOA, but a story can be both CYOA and RI.

Real Person Fiction — Fanfiction written about real-life celebrities. Historical figures generally do not count as Real Person Fiction and are placed in the Historical Fiction genre instead. “Real Person Fiction” is often abbreviated “RPF.”

Religious — A story based on an established religion which may or may not contain allusions or direct references to religious texts, strong personal religious beliefs, etc.

Romance — A genre based on love, attraction, and sometimes, though not always, sexuality.

S&M — Short for “sadomasochism,” a sexual fetish involving inflicting and/or incurring abuse.

Saffic — A portmanteau of “sapphic” and “fiction,” saffic is a synonym for “femslash.”

Samurai — A story based in the tradition and combat style of the samurai.

Satire — An often sarcastic humorous story that mocks something in a lighthearted manner.

Schmoop — The same as fluff. Some fandoms tend to use one over the other.

Science Fantasy — A genre combining Science Fiction and Fantasy.

Science Fiction — A genre that focuses on scientific, often futuristic

Self-Insert — A story where the author is a character. The term is associated with, but not synonymous with, “Mary Sue,” as Mary Sue characters are sometimes idealized self-inserts, though a character can be a Mary Sue without being a self-insert or a self-insert without being a Mary Sue.

Shonen-ai — “Boy love,” refers to two young men falling in love.

Shoujo-ai - “Girl love,” refers to two girls falling in love.

Slash — Typically, a story with a male/male romantic pairing.

Songfic — A story, often a one-shot, that uses lyrics in the text or uses lyrics to generate the theme and/or plot of the text.

Space Opera — A type of science fiction that focuses on adventure, characters, alien races, and worlds.

Speculative Fiction — This is a catch-all term for the genres of fiction that aren’t plausible in the real world, such as Fantasy, Science Fiction, Steampunk, etc.

Spiritual — A story of a religious nature that may or may not actually reference a specific religion or religious text.

Squick — Situations which might cause a reaction of disgust in the reader, usually a story dealing with taboo themes.

Steampunk — A story where steam is used as a source of power including technology like computers re-imagined, vaguely based in the Victorian era.

Suicide — This warning should be used for any story that includes a depiction or allusion to someone killing himself or herself or attempting to do so.

Supernatural — A story dealing with paranormal beings, powers, etc.

Suspense — A story with stressful situations for the characters and an ending that is kept unsure and revealed very late in the plot, often dramatically.

Thriller — A story with suspenseful or terrifying action sequences and sometimes a mystery.

Time Travel — A type of Alternative Timeline where the characters have an explained or established method of time travel and go to a specific era for the purpose of plot.

Torture — This warning should be used for any story that includes a character being the victim of extreme violence, particularly sexual violence or violence in an interrogation.

Tragedy — A story focusing on drama, typically with a sad ending.

Twincest — A romantic and/or sexual relationship between twins.

TWT — Short for “Time? What Time?” This is a story where the author doesn’t specify the time line.

Violence — This warning should be used for any story including significantly violent content, including war stories, sexually violent stories, superhero stories, and fistfighting.

War — A story involving the military or civilians during a war.

Western — Stories set in the American West between the Civil War and World War One.

Whumpage — A story with the plot focuses on doing damage, usually physical, sometimes emotional, to the main character or characters. Also spelled “whump.”

Yaoi — Acronym for “yama-nashi, ochi-nashi, “imi-nashi,” meaning “without climax, without a conclusion, and without content.” This refers to romantic stories dealing with male homosexual love and sex.

Young Adult — Refers to stories that are meant for preteen and teenaged readers, as opposed to stories written specifically for adults or young children.

Yuri — Believed to drive from the name “Yuri,” this refers to romantic stories dealing with female homosexual love and sex.

(Source: lunaescence.com)

Romance 101

Ever read a sappy romance story, which has absolutely no plot, no in-characterness- basically just a sappy bit of fluff? If you have, you’ll know what I’m talking about. If not, you’ll still know what I’m talking about. Certain romantic stories get to me, because I
normally like reading romance, but it gets to a person when they want something nice.

I don’t mean any offence to the writers of these fics, but if you do write these type of fics, and like writing them, knowing what they are, please mark them as meaningless bits of fluff, and sensible readers won’t have to waste their time. Other readers won’t have to waste their time, either. The ones that like reading sappy stories could read them. But, if you don’t want your stories to be looked upon as only meaningless drabbles, read on, as I’ve got a few hints, which I learnt some time ago, when I first started writing.

Point no. 1: Plot
The plot of a romantic story can be anything-hysterically funny to deadly serious, angsty to happy. But, although it’s a romantic story, keep in mind to always keep the romance in little incidents, leading up to the main one, or a main one, followed by a flashback. Cardinal rule in a love story:- if there’s too much romance in all the lines of the story, from the first to the last, it’s a sappy love story. Especially if the canon character (bishie, in this case) starts by saying that he’ll always love ____. And goes on to say it. Again and again. Even if there isn’t any romance until the last part of the story, don’t worry. The story should have just the same amounts of romance that real life has, or that the canon universe has. You can take the canon universe, and make it your own, but don’t put in sappy stuff in an action-based serious universe, and don’t create too much action in a romantic universe (well, what did you expect? I’m a fangirl through and through, ya know)

Point no 2: Feeling
Now, just because I keep typing ‘sappy love story’ doesn’t mean I’m on of those hard-hearted sniff-at-love girls. And when you type a love story, you should remember that true love follows a certain definition. It isn’t stupid-don’t sniff at me-but you should remember that, no matter how tough your bishie is, like, say Hiei, he must love the person, and not just want her. Also, there is the other extreme, where authors make the really strong, tough bishie hopelessly devoted to ____. ‘Cause, no matter how gentlemanly the bishie is, HE IS NOT PERFECT. Just like your OC could become a Mary Sue, the bishie could become*gasp* OOC. If you look closely, you’ll see that all bishies have their bad points. You should remember these bad points while writing a fic. So, all bishies, must, at some point or the other, make the one they’re paired up with feel-umm, strange? Disoriented? Bad, maybe? Anything, as long as it isn’t ‘I think this guy is the perfect man.’

Point no 3: Angst
I know that ‘Angst’ sounds like a strange point, but there are a number of ways where you can go wrong with this particular genre in romance-writing. Simply because sometimes, it can be too much, sometimes, it can be excessively less. Whatever the way, you must make sure it’s a good combination.

Point no 4: Reader-inserts
I can’t write reader-inserts myself, though I do read them, because they’re fun to read, but I’ve noticed one thing. Most reader-inserts are romantic. I’ve realized that these are usually written properly, but there are a few guidelines to go on. First is to never ever customize the reader. The reader is not your OC, and you do not need to create him/her. A name is okay, but describing personality is going a bit too far, and you should drop the ‘you’ and start using ‘her’ if you make up a completely new story and past for the reader. And in romantic stories, unfortunately, you can’t satisfy everyone, since everyone’s reactions to a particular incident will be different. So, the safest thing is to imagine a reader’s reaction as if they’re a fangirl like yourself(or not), and then base the fic like that.

Point no 5: Yaoi or Yuri
Obviously, it’s something of a difference of opinion, normally. But, I think that boy/boy or girl/girl relationships cannot be objected to. Beside that point, you can’t say much if a person wants to write lemons based on yaoi or yuri, with no plot whatsoever.
However, if you want to write proper stories, you should follow the same guidelines as a person who wants to write a boy/girl romance. Things shouldn’t change that much, except for a little bit of emotion here and there. Boys don’t show that much emotion openly, and girls tend to overdo it.

Point no 6: Material Objects
This is a lovely idea, don’t you think? If you can’t think of an idea to woo the girl, canon or OC or the reader, the bishie can express his feelings through a particular object, like a flower, or chocolates(though they’re way over-used) and other stuff. Even the girl can do something like that, and it’s nice. You also have something to write about. Not that people can’t go wrong here, but(since I don’t want to be pessimistic) most people grasp the idea delightfully. After all, how sappy could a writer make a fic about Orchids?[don’t answer that]

(Source: lunaescence.com)

How to write a blurb


A blurb is the book description, a summary, that you find on the back of a book or online to describe a book’s contents. When you are writing your fan fiction you must always have a short summary giving readers an insight of what it’s about. It’s important because readers want to be aware of what it is it about. The reason for that is because readers can’t go with just reading the title and what the listed warnings show.

After all, if your story is title Bloody Nights and you give no summary then people will assume it’s something dealing with horror or murder. When it’s actually about a drunk man that drinks a lot of Bloody Mary’s at night and the book focus on his misery. As you can see titles can fool a lot of people. For example, if all manga didn’t have blurbs then no one would really read majority of them (especially the popular ones) because they would judge it by the title and the cover artwork.

Maybe someone sees a manga titled, XXXHolic and think it’s about sex. Or another manga called Until Death Do Us Part and they will think it’s a romantic story, when it’s actually about a blind man fighting against the mafia. Even the cover artwork can be misleading to people. They might see a female character on the cover that’s short, lithe and looks like a child with a older looking male character that’s bigger and intimately holding her. Basically it looks like a loli story when it’s actually just the style that artist draws like. Or maybe it’s only that female lead character that looks like that. They are actually an adult but is cursed to look like a child or whatnot and people wouldn’t know that unless they read the manga instead of judging the title and cover art.

Anyway, blurbs allow you to show case your stories to people out there. You must have one if you want to draw them into your story. Not having one or just having, ‘I suck at writing summaries’, ‘Just read the story’ or ‘The title says it all’ doesn’t help at all. Readers will just skip over it because they’ll think that if you didn’t put any effort into writing a summary, then maybe your story isn’t that good. It does sounds a bit mean but it is the truth.

It’s just not that either but you don’t need to put warnings for your story in the summary. There’s already a box of warning labels and the rating box that appears when you first upload/post your story. If you don’t trust that then use the author’s note box which is there for that purpose. They’re used to explain something to your readers before they read your story. Though some people might feel that no one reads them but they actually do. So there’s no need to put ‘R&R’, “Read and Review’, ‘It cracked inspired’, ‘Please excuse the OOC’, and ‘It’s my first story’ in your summaries.

It is in the author’s note that you put them in. It is where you can explain that you had tried your best in making the character in character, that it’s the first time you are posting a story, or that you were high on pixie sticks when you were writing your story and so on.

Now, there are many writers out there that have a hard time writing a summary because their story is pretty long. And trying to condense all that important information down to a paragraph isn’t easy. Of course, the short written stories such as drabbles or ficlets are hard to write too, because of the little information they contain. But on the other hand they are sometimes the easiest ones to do. Even so, all stories no matter how short or long they are, they all have a purpose.

There are many ways to write a blurb. Some ways may take three paragraphs, some only two or others just one. I will list a few ways that can help you write a blurb. But it all depends on your story so choose the one that will best describe it to your readers. To help show the points in how to form blurbs for your stories I will be using examples of fan fiction (made up stories), not actually published works.

1. Introduce the hero/heroine and give a simple plot set up. Is there an interior conflict? What about an exterior conflict? What is the goal of the hero/heroine and what do they have to lose?

Ex: (Yu-Gi-Oh) You, Kaku Ruichi was just a normal teenage girl until you were thrown into another world, a world where duel monster cards are all the rave. What’s more shocking for you is that your face is on a duel monster card! That’s not the worst of it. You’re slowly losing your grip on your sanity and having all those people tell you that you’re not supposed to exist, isn’t helping you either. Of course, your only hope to get through all this is with the help of a boy named, Yugi.

Unlike the next one, this one opens up with the main character and moves on to the plot, conflict and so on. This could be a thriller. But the way it ends leaves a bit of a mystery of what Yugi could possible do for the main character. This could take place after Yami returns to his time or not. It also has readers wondering if the main character really is a magical being, a true duel monster card? They would be curious and to find out and to do that they would have to continue reading the fan fiction. Maybe some of them would guess that she’s crazy but again, they’ll have to keep reading the story to find out. If the author wants to, they could also make it a romance fic by adding in, ‘But through all the madness…is it possible for you to fall in love?’. It just took one more sentence added to make it a possible for romance to happen in the story. And the most noticeable differences are that the plot isn’t very detail. This allows readers to wonder about many things about it, hence the mysterious feel to it. It would encourage them to click on the story to find out more.


2. Setting, detailed plot set up, and the main character’s emotional involvement with it. What is the exterior conflict? (What’s the hero/heroine fighting against and why?) What do they have to lose?

Ex: (Yu Yu Hakusho) In a back alley of Tokyo, you awaken without any memories. Since then, people with their sinister smiles, and eyes filled with malice stalk your form wherever you go. Confuse and scared you run. Your life quickly turns into a dangerous game of cat and mouse, between four strange boys and a mysterious man known as Reyon. Both sides say that the other is evil and both seem to know something about you. But who can you trust when you know the cause of your amnesia was betrayal? Which side will you choose? Or will you give up on remembering who you were and forever be on the run? Whatever your choice is, it may be the very last thing you ever do.

As you can see with this blurb, it’s suited for the suspense, thriller and/or mystery genre. It’s a bit vague because with a less detail plot, it would leave more of a mystery for a reader to wonder about. That can be good if that’s the effect you’re going for in your story. This blurb starts out differently than the first, that’s because not all blurbs can give you the same effect you want. It’s the way you present it that gives you different effects, like the way this starts and ends compare to the first example.

Also the blurb is that way it is because it helps that the main character is suffering from amnesia. It’s written as though the author is seeing it from the main character’s point of view, because the character is a blank slate. The character wouldn’t know that demons exist. That humans can have abilities. She wouldn’t know if she’s human or not. That demons can disguise themselves as humans. All that information and not having memories make her scare and confuse. It makes her not trust anyone. She won’t stop and check with if the four guys chasing her (which hints at Yusuke, Hiei, Kurama and Kuwabara) are bad guys or not. The part with “the mysterious man, known as Reyon” hints that he may be the villain of the story. But readers won’t know for sure until they continue reading the story.

3. Setting, introduce main character, simple plot set up and conflict.

Ex: (Original) Orakai has been submerged in chaos. The only hope for the once advance city is a young women name Saru Velvet, who’s the last of the originals. She, along with the help of four strangers must travel across the world in search of the great creator. But time is precious and they must hurry before the city is lost forever in the depths of the blacken waters.

In this example it’s a bit shorter than the first two. That’s because it doesn’t reveal much but it still shows what it’s about. What most writers try to do is reveal as little as possible but leave enough that it would certainly grab the reader’s attention. Such as, what are the ‘originals’, the ‘great creator’, and the ‘three strangers’, how advance was the city, what is the city reduces to, and what will the heroine face in her journey?

Notes:

Let’s move on to something that would help you for sure. Reading the back cover of your favorite books is very helpful. Even reading books that are in the same genre (Horror, Romance, Suspense, Mystery, etc.) as your story is useful. They can help you write a blurb for your story. All you have to do is just look for the key words that catch your interest or the way the writer wrote it that made you want to read it. If you place yourself as the reader then you can figure out how to attract people to your own story.

Really, don’t be afraid to put some effort into writing a blurb. As long as you have the basic points such as the main character, plot and sometimes the setting then you’re good. Blurbs don’t necessary have to be very long. There are some that are even two or three sentences long.

Ex: (Kingdom Hearts - Drabble or Ficlet) Someone has to cook now that Zexion is gone. Too bad that you got snatched up by Saix, who assumed you could cook. Really, just because you were wearing an apron that said, ‘Kiss the Cook’ didn’t mean that you could.

Though, I suggest to not go overboard with a long summary either. Sometimes that can annoy a reader because they don’t want to read a long blurb just to see what the story is about. The goal is just to keep it simple and to the point. Two or three inches long summary is a decent length for long stories.

So keep in mind that it’s always good to have a summary then none at all. It’s understandable if you end up having a long blurb but at least with it, it will help your readers know something about your story. If you write one and it’s pretty long you can always ask a friend for their help. Doing so would require you to summarize your story for them and then they could help further summarize it for you.

Writing blurbs can be difficult, and writing the example blurbs above was certainly tricky for me. I had to make up the stories in order to do it. It wasn’t easy but I manage to come up with interesting ways in writing blurbs. I hope all of you learned a few things that can help you in writing them.

Oh, and before I forget. Please, please, make sure to check your summaries for spelling and grammar mistakes! Remember they are what attracts readers to your story. If a blurb is filled with spelling or grammar issues it is unattractive to see. It’ll make readers assume that your story is filled with those mistakes too, which will then turn them away from checking it out. I’m not saying you have to be perfect because no one really is and it’s understandable to have a few mistakes. But all that matters is that you do your very best and check over your work. If you can’t check it then have someone else go over it for you.

(Source: lunaescence.com)

Developing Character Traits pt. 2

Creating characters requires a little thought and time to get just the right ‘person’ for your story. First, you should consider why the character looks the way they do. Second, you need to consider when and how you’re going to tell your reader what your character looks like.

Beauty or Beast?

A common mistake many writers make is not putting enough thought into their characters’ physical traits. Because we are visual creatures, we tend to create characters we would find physically attractive. Our good characters tend to be beautiful and our bad characters end up ugly or scarred.

The strapping, tall man with intense eyes and biceps to melt for isn’t limited to romance novels, nor is the buxom, long-legged blonde confined to the pages of action-adventure or thrillers. ‘Fabio’ clones fill the romance shelves and svelte sirens grace the shelves from science fiction to women’s fiction. How many heroines wear anything larger than a size six?

To a degree, this is understandable. Many of us read or write to escape the pressures of everyday life. We want to imagine ourselves as more beautiful and alluring and our love interests as the epitome of sexuality. Those are generalizations but they illustrate the point. We don’t want to dream about being ugly. We want to step outside our mundane world, even if our story is set right in our own present day home town.

Take a look around you. How many truly physically beautiful people do you see every day? How often do you encounter that super model or martial arts expert? I’m guessing not very often unless you live in Hollywood or New York City (feel free to insert the film capital of your country if you live outside the US.)

Some stories are going to demand more exotic characters than others. If your protagonist needs to be able to perform feats of strength and endurance then he/she can’t be an out of shape couch potato. But do you need someone with a “perfect” body? Do they need to be so handsome that men/women melt when they smile and want to have sex with them where they stand? Is making your character physically attractive going to distract your reader from an underdeveloped personality? Maybe in face-to-face meetings where pheromones can play a role but not on the written page.

Take the time to delve into your protagonist and antagonist’s past. Have they lived a sheltered life? Where they ever injured? Bitten by an animal? Do they walk with a limp from a skiing or biking accident? Do they wear glasses? Are they too thin? Too heavy? Out of shape? Super toned but with short legs and a long waist so he/she is out of proportion? Take time to look at the wide variety of people around you. What do you see? How can you use what you see?

Opposites Attract

One of the most interesting (and memorable) characters I’ve ever read is Lois McMaster Bujold’s Miles Vorkorsigan. Miles was exposed to life-threatening toxins while still in his mother’s womb and only the advanced science of Bujold’s galaxy was able to save him. As a result of the poisons racing through his developing body, Miles is left with very brittle bones and only reaches the height of a pre-teen. Living on a world that fears mutations due to a history of radiation problems, Miles must prove himself to everyone. Including himself. He does a good job of it.

Bujold creates characters that jump off the page but few of them are the model of physical perfection. For this reason, her characters are more endearing - because of their differences, not in spite of them.

Our editor, Lee, has a penchant for creating opposite-stereotypes in her characters. Her “bad guy” is stunningly good-looking, and yet he is a truly nasty piece of work. He is cold, callous, vicious and selfish. But he looks great! On the other hand, her “good guy” is homely, but sweet. He has a warm personality that you just can’t help liking. This role-reversal is effective, because the reader is forced to identify with the characters actions and deeds, rather than the looks they do or don’t have.

Mirror, Mirror on the Wall

A common trick employed by newer writers is to have a character stare into a mirror, so the reader can ‘see’ what the character is seeing. This approach often feels contrived and does not help the reader to ‘see’ your character at all.

You’ve made up your mind that the male lead of your story is average height, has brown eyes and caramel colored skin. He’s getting older, has thinning hair and a tiny bit of fat sticking out beyond his belt. He has wide shoulders and narrow hips. He’s a bit bowlegged like he’s been riding too many horses even though he’s never set foot outside the city limits. Now, how do you describe him in your story?

Bob was rapidly approaching middle age. His brown eyes didn’t focus as well as they used to and he was wearing reading glasses as he scanned the paper. His wide shoulders jutted beyond what was considered the proper amount of “personal” space at the diner counter. His closely cropped brown hair was thinning a bit on the top.

No.

Age
Eye color
Frame
Hair color and type


Descriptions that read like grocery lists are boring. And what if your story is in first person? How would you start then?

My name is Bob, I’m a 49 year old accountant with thinning hair and reading glasses. I weigh 195 which is a bit much for my 5’8” frame. Not that I’m fat mind you, just a little out of shape.

Again we have a list.

Age
Hair type
Glasses
Weight
Body condition.


So when does your character introduce him/herself? Do they walk into the bathroom and start listing their features in the mirror? This is a commonly overused ploy. (the same goes for still water in lakes, ponds and puddles. Also reflections in the bottom of cooking utensils.)

Working the description slowly into the story doesn’t disrupt the flow as much as the grocery list approach does. It allows for the reader to learn about your character as they go. The trick is to keep the reader interested in your characters and how they cope with the stories conflict. The reader doesn’t really need an in-depth description to get a feel for your character. They don’t need to know every wrinkle on the character’s face. It’s more fun to read about the wrinkles in their personality.

Imagination

I recently read the Legends of Dune: The Butlerian Jihad (written by Frank Herbert’s son, Brian Herbert and Kevin Anderson). Throughout the entire book I found only a few minor references to physical traits. The looks of almost the entire cast are left completely to the reader’s imagination. I consulted a friend after I had finished reading, and learned that she had pictured the “lead” character, Xavier Harkkonen, very differently to the way I had. We were told he is ‘tall’. We were told he ‘held himself with regal poise’. But really, no more is mentioned about Xavier’s attributes. For this reason, the reader is forced to accept the character based solely upon his acts and thoughts, rather than his “pretty” good looks. Personally, I found this approach to be highly effective in gaining reader empathy. I really wanted Xavier to win against the agent of the dreaded thinking machines, Vorian Atreides.

Final Word

Take some time to discover a little about your character’s personality before fitting a physical frame to him. And remember - true beauty comes from within!

(Source: fictionfactor.com)